Blazé Milano Pre-Fall 2025 at Milan Fashion

Blazé Milano Pre-Fall 2025 / PF25 at Milan Fashion entitled Il Salotto. In the round opaque glass vase, there is an abundance of white lilies, bought from the neighbourhood florist, the same one that has been there for several generations.

The soft light of the autumnal afternoon turning into dusk brightens up the room, passing through the bay window facing the garden of the nineteenth century palazzo. The record player in the corner is playing some vintage jazz music; until she enters the room, throwing open the doors and heading towards it. She lifts up the needle and, in a few seconds, she has chosen what to play from the pile of LPs messily scattered over the carpet. A different type of music, with more yeah-yeah vibrations, a female voice is singing in French about love stories that will erupt next weekend. Here is where Blazé Milano Pre-Fall 2025 / PF25 collection begins: in the privacy of a Milanese interior, whose occupant is never sure she wants to leave, despite having the perfect wardrobe for it.

Details of Blazé Milano Pre-Fall 2025 / PF25, Hers is a universe that is tinted with soft nuances this Pre Fall, like chocolate, butter, terracotta, merlot, nude, muscat, with a tad of ginger, a very bright orange that appears on the Husul shorts made of Novalis material, on the single-breasted blazer or on the Gliss Bolero with contrasting profiles.

The clothes that she has just taken off from the day are lying on the floor: the Akira blazer, new single-breasted with narrow cuffs, in a man-like taste, and then the Ares jacket with its herring-bone motif in a linen, wool and silk mix, which tightens at the waist to become an evening jacket. Folded and ready to be hung up in the wardrobe, the double pence Fox trousers and the straight-cut Nana share space with the Paint Jacket in looped wool and belted at the waist with the appliqué detail of their classic Smiley pocket, the undeniable symbol of the brand.

For this season, the Blazé Milano woman has inherited the groove of Romy Schneider in Boccaccio ‘70, a 1962 film in episodes. Particularly in the one directed by Luchino Visconti, Il Lavoro, where the actress plays the part of an aristocrat from Milan who, bored and roguish, ponders whether to go to La Scala to greet some friends or to the most fashionable designer’s atelier. She tries on clothes and outfits enthusiastically to then go back inside in her silk undergarments and wander around while imagining the thousand lives she could be leading. This is the attitude that inspires the collection, thinking of pencil skirts and moiré blazers, wavy motif textures that recreate the wallpaper effects usually used inside liberty-style buildings, just like in the powder-pink-coloured Manipur dress or the silk pyjamas in an irregularly spotted pattern from the Mantero archives, to be worn under a man’s coat.

Evenings are indeed her domain, as she sips a French 75 before going out and wears a dress in couture-style, hand-made embroidered sequins. The same handiwork reappears in the Konik shirts and skirts with their deep central split and in the American neckline, while the midi skirts are made in precious tulle which, rethinking the feminine pinstripe, add hand-crafted rows of feathers and sequins and a georgette lining that gives a transparent effect. On the other hand, working on contrasts and opposites, the outerwear looks stern, almost like Tyrolean jackets, such as the Curly Jacket in fulled wool, or the hunting jackets, such as the Clelia Jacket. To be reminded of quilted dressing gowns, there is the Queenie Bolero’s quilted corduroy, double-breasted with ten buttons down the front. The chocolate-coloured sheepskin with shiny nappa leather insets is reversible, with a suede-trimmed inside. She realises in astonishment that the Everynight Blazer in its chocolate-coloured animalier motif, freshly picked up from the dry cleaner’s, is hanging on her bedroom’s door and it’s smiling at her: perhaps it’s the right time to go out tonight.

About BLAZÉ Milano, founded in 2013 by Corrada Rodriguez d’Acri, Delfina Pinardi and Maria Sole Torlonia, BLAZÉ Milano was born with the aim of reinterpreting the elegance, sartorial tradition and quality of Made in Italy in a contemporary way through one of the key elements of the female wardrobe: the blazer. Over the course of the seasons, the effortlessy cool and timeless style of the brand has also been extended to other categories, outlining an all-round BLAZÉ aesthetic: from knitwear to denim, to the recently inaugurated sunglasses created in collaboration with L.G.R. Among the distinctive features of BLAZÉ Milano, the Smiley pocket – an iconic element that from day one has characterized the shape of the pockets in the brand’s creations – and the made-to-order service in the Atelier of Milan and Rome.

In 2023, for its 10th anniversary, the brand inaugurates a new chapter in its history by unveiling a major re-branding project that starts with a new logo. Created with fonts that mix graphic linearity and more delicate roundness – the epitome of dualities, such as the contrasts between masculine and feminine – it is enriched with a new symbol, the seahorse, which encapsulates two of the inspirations at the heart of BLAZÉ’s most authentic aesthetic: the equestrian world meeting the world of the navy.

BLAZÉ Milano prêt-à-porter collections are available in the Milan flagship store, inaugurated in June 2024 in Via Santo Spirito, 14, on blaze-milano.com and at an exclusive network of multi-brand and e-commerce stores worldwide.