Lemaire Fall/Winter 2026 at Paris Men’s Fashion Week

Lemaire Fall/Winter 2026 / FW26 at Paris Men’s Fashion Week entitled MINE EYES

LEMAIRE presents mine eyes, in collaboration with Nathalie Béasse. Lemaire FW26 / Fall/Winter 2026 presentation proposes a new kind of runway show, one that crosses into theatre to open up space and defy time. Moving tableaux inspired by Béasse’s production velvet unfurl, in her words, into a “world of fabrics, where colour speaks”.

LEMAIRE inhabits this world with their silhouettes and colours; a theatre of nuances, textures, folds, and patterns that reveal and conceal themselves one after another. This world is a mysterious place where one view might hide another, where objects have souls, and where each tableau wills life to the stage, in all its complexities and secrets. Together, the animate and inanimate create a contemplative, dreamlike atmosphere.

Lemaire FW26 / Fall/Winter 2026, WOMEN’S COLLECTION, Like a moonlit transformation, the women’s collection alternates between crushed velvet that shimmers as if metallic, lacquered denim that evokes a leather sheen, and coated cotton and dry silk. The materials play with illusion and metamorphosis; the pearlescent, oxidised, and iridescent palette reflects the surrounding light, interacting with leathers, cool wools, and cottons in saturated colours. The knitwear, with its naive, simple curved lines, plays between fitted and loose silhouettes that express a sensuality, while femininity is accentuated by pleats, slits, and asymmetrical draping.

The dresses create a double layer of illusions by the way they meet the dancing body, where materials, colours, and volumes interlace and respond to each other. The collection also comprises hybrid pieces – skirts in quilted silk that can be worn as capes or used as blankets – and surrealist-inspired accessories in the forms of buttocks or seashells, key-shaped pendants hiding corkscrews, or starburst brooches that punctuate the silhouette.

Lemaire FW26 / Fall/Winter 2026, MEN’S COLLECTION, While nonetheless referencing the archetypes of Western menswear – sheepskin jackets, trench coats, mohair suits – the silhouette is made more fluid, meeting an Eastern breeze. Combining structure and suppleness, the Mandarin jacket is revisited in calfskin leather, as is the Welding jacket with a stand collar in soft calf suede.

The collection realises an encounter between domesticity and sophistication, where tailored pieces are worn with slippers that elongate and soften the silhouette. The garments are illuminated with vibrant touches of pink, mint green, and yellow ochre. A coat hides layers of jersey cotton, poplin, and knitwear, in amber and sometimes neon hues. Meteorological motifs – rain and stormy skies – and real shearling and animal patterns, crafted in wool or micro-printed, adorn parkas and barrel leg trousers. These all-over prints propose a new language of camouflage, created for the urban landscape.

TOPOR, Roland Topor’s world of lucid dreams – fierce, tender, and tinged with black humour – permeates this ready-to-wear and accessories collection. His illustrations are translated into a free, expressive textile grammar. The pencil line becomes material: a sketch is transformed into a spiny relief or dry silk threads, like a character escaping the canvas to enter the third dimension. Topor’s rebellious spirit extends to clogs, slippers, and a chapka hat in shaggy goatskin, evoking a poetic, instinctive rhythm.